Honoring the Hurriquake Nail

The HurriQuake

The HurriQuake

Disaster-proofing homes is not something you want to skimp on, especially if you’re living somewhere with tornadoes, earthquakes, hurricanes, or door-to-door encyclopedia salesmen at six in the morning. Generally speaking, building codes require a certain level of disaster-proofing in new buildings, depending on the area. It’s always better to be safe than sorry.

Disaster proofing can, of course, get pretty frivolous. There really isn’t a particularly compelling reason to install blast-proof wallpaper in your average suburban home in America (anyone who lived through part of the Cold War remembers bomb shelter advertisements).

One technical advancement that I do find pretty worthwhile, however, is the HurriQuake nail. (Engineers should never get to name things.) This is a bizarre-looking cross between a nail and a screw, and it’s specifically designed to withstand extreme amounts of stress, from causes ranging from high wind to earthquakes. It actually won Best Innovation of the Year from Popular Science in 2006.

The nail is actually so strong that the boards the HurriQuake nail is hammered/screwed into usually fail before the nail does. And it’s cheap enough that it only drives up the cost of houses by a few dollars.

That’s not to say the HurriQuake nail is perfect. If you put one in the wrong spot, good luck getting it out. The same spikes that keep it lodged in boards—even under extreme force—are largely capable of resisting much more force than you can apply.

isabelOf course, fancy nails alone aren’t enough to disaster-proof a house. You’ve got to design the whole building, foundation to roof, with that goal in mind. It’ll cost more and take more work, too, but this is a key part of designing a house to fit the environment it’s in. Which is one reason you see so many antique houses outlasting suburban cookie-cutter houses.

Civilization and Roads

Good roads are absolutely essential to civilization. Many of the most successful countries in history were hugely dependent on their roads for their success. To my mind, the two ancient civilizations with the most impressive road systems are the Roman and Incan Empires.

The Incan road system, the shorter of the two, was still more than 20,000 miles long. The Incans did such a good job that much of the road is still useable today—even segments that haven’t seen a lick of maintenance in four centuries—though more than 75 percent of it has been destroyed by Spaniards and modern construction. The Incan roads were heavily used by the Chasquis, a network of runners that sent messages and valuable, lightweight goods across the empire, using relays. The individual Chasqui ran as much as a hundred and fifty miles per day through the mountains—that’s six marathons. The roads were also used heavily by normal traffic: trade on alpacas and llamas, etc.

McCoy Fields

Ancient Roman Rest Stop?

Rome’s roads are, without a doubt, the best known of all ancient road systems—not surprising, since it’s the best known ancient civilization of all time. There were 250,000 miles of roads in the network, an order of magnitude larger than the Incan network.

It’s not to say that the Incan network wasn’t an incredible piece of engineering and architecture; it was, but the Romans were just utterly obsessed with road building. There is an astonishing number of these roads still in use, whether covered in modern construction or even in their original form.

Yes, roads are an absolutely elemental part of civilization. I should put this all into perspective, though. America has nearly four MILLION miles of roads. Our population dwarfs Ancient Rome or the Incan Empire and, of course, the American population alone is greater than that of the entire world during either of those time periods.

So, next time you’re upset about construction, just sit back and think about that before complaining. It’s a small price to pay. (Unless it’s in front of your house early in the morning. That’s just the worst.)

Tilting at Windmill Research

As I was fishing with the grandkids recently, the eldest asked me why windmills look the way they do these days, instead of the way they looked in the old days and in cartoons.

Pantigo Windmill, East Hampton

Pantigo Windmill, East Hampton

I didn’t know, so when we got home later that day I helped him look it up. I’d rather admit I don’t know something to a kid and then help him research than just make something up or just brush off the question. Plus, it helps teach kids how to learn things themselves.

The answers regarding the windmills turned out to be pretty interesting, even if a lot of the math was still beyond him.

First off, the arms on a windmill are long and thin these days in order to function like a wing, which drastically increases their efficiency. So far, pretty straightforward stuff.

Next, and the most complicated: why they have three arms. Turns out there’s a whole load of math involved. A single arm would be most efficient, but wouldn’t produce much power. Two arms at 180 degrees actually puts considerable strain on the hub of the windmill, which reduces the energy it produces and causes long-term strain and damage.

Three blades solves all of these problems; using more than three starts to reduce efficiency. That’s not the only reason, of course. It also costs quite a bit more to build windmills with a larger number of blades.

The reason most windmill blades are a certain length is actually due to the shipping industry. Most of the blades are at the maximum length that can be carried by a semi on the highway. While there are some longer blades that can be transported by train and then by helicopter, they’re expensive and difficult to produce and move.

As for why windmills are painted white? My grandson actually figured that one out before we looked it up, which made me proud: The white paint reduces the heating on the windmill parts.

Plus, it just looks nice.

Maps and Oranges

When I have a choice of what map I want to use, I’ll always pick a globe.

Flat maps all have one major problem: they’re trying to display a round globe.

Here’s an experiment. Cut an unpeeled orange in half, then take out the insides without ripping the peel. Then try to push the peel flat on a surface.

Mercator Projection: 1569

Mercator Projection: 1569

Mapmakers have developed a number of strategies for dealing with the problem. They’re referred to as map projections, and the most commonly used is the Mercator Projection. It’s by far one of the most common map projections you’ll run into.

The Mercator Projection is quite useful and works great for navigation…but at the cost of grossly misrepresenting the size of certain landmasses, especially closer to the poles. The best way to picture this is by stretching out that orange peel. There’s going to be quite a bit of distortion.

Greenland is the biggest offender. Greenland in real life is 1/14th the size of Africa, and 1/3rd the size of Australia, but it is grossly inflated on the Mercator Projection and is actually portrayed as larger than Australia. Africa, meanwhile, is shrunk down until it appears the same size as Greenland on the map. This has actually produced quite a bit of academic and political controversy over the years. The Mercator is drifting out of popularity these days.

Another common map projection is the Goode homolosine projection. This one is the equivalent of cutting the orange peel to make it look flat; in fact, it’s often called the orange peel map. While the Goode homolosine projection does a much better job of representing the continents without distorting them, it does cut Greenland in half and, well… you can see what it looks like.

Given the choice, I’m always going to use a globe. Unfortunately, they’re less than perfectly portable.

The Flying Buttress

Everyone's seen flying buttresses. They're those huge pillars on the sides of European cathedrals. Notre Dame (the one in France completed in 1345, not the one with the football team) is among the most famous.

The Flying Buttress

The Flying Buttress

Though they look like they wouldn't be good for much other than making sure that a wall doesn't fall over (sometimes used that way) and making grade school kids laugh, they're the only reason that buildings of that size were even possible in those days.

Flying buttresses actually help support the weight of the ceiling. Before flying buttresses, the walls had to be immensely thick in order to prevent the ceiling's weight from pushing the walls outward.

Flying buttresses form a natural arch with the roof, thereby taking much of the outward force generated by the roof's weight off the walls. This allows the walls to be built much thinner. And it also allows the inclusion of the immense windows in the walls that cathedrals are so famous for.

The construction of the buttresses was a difficult enough task in itself, of course. It first involved the construction of temporary wooden frames, or centering to be hoisted up between the wall and the column. The centering was what kept the arch of stones in the air while the mortar was drying, serving as the arch in the meantime.

Frequently, early cathedrals with flying buttresses were built with much thicker, closer, and more immense buttresses; the backers funding the construction weren't entirely convinced that they would actually work. Some of the buttresses were actually so huge that they blocked out much of the light coming in.

Even cathedrals with much, much thinner buttresses have lasted until today. And a building that lasts for 800 years does tend to speak for itself pretty well.